33/47
Additionally, Gaga discusses how she got into and stuck with her dark persona
Tale
Struggling with his dual identity, failed comedian Arthur Fleck meets the love of his life, Harley Quinn, while incarcerated at Arkham State Hospital. Lady Gaga, Brendan Gleeson and writer-director Todd Phillips share what scared them the most about tackling the musical sequel. . The subtitle of the film “Folie a Deux” means "The Madness of Two" in French.
It is also called Lasègue-Falret syndrome
This initially led to speculation that Harley Quinn would appear in the film, which was confirmed soon after. The name Folie a Deux comes from the 19th century French psychiatrists Charles Lassegue and Gilles Fallet. The term was coined to refer to two or more people who share the same madness or delusion. The chairman of the jury talks about "People of New York" not Gotham City.
Featured in AniMat’s Crazy Cartoon: The Wicked Discovery of a Lifetime (2022)
This is because New York State is the plaintiff in the criminal case, and this version of Gotham City is obviously located in New York State (in most versions, Gotham is in New Jersey). Arthur Flack: [Written as a stubborn autograph with a sad smiley face] I HOPE YOU’RE GETTING CANCER. The film opens with the Looney Tunes title sequence, featuring the Warner Bros logo surrounded by rings and the Joker’s face. Merrily We Roll Along By Eddie Cantor, Murray Mencher and Charles Tobias.
Joaquin Phoenix’s performance is good, but lacks the raw intensity that defined his portrayal in the original
It feels more like a spin-off than a true sequel, spending most of its runtime reimagining the original with court scenes and interviews rather than moving the story forward. The writing is serviceable at best, often relying on thin threads to loosely tie one musical dream sequence to the next. Lady Gaga, on the other hand, seemed to deliberately tone down her usual glamor to avoid being overshadowed by him, which, while understandable, feels like a missed opportunity for a more dynamic performance. The high-energy and visual musical numbers are easily the highlight of the film, with singing and dancing offering moments of respite from the otherwise sluggish narrative.
Unfortunately, these sequences cannot sustain the momentum of the film
The lack of a solid plot makes the film feel overlong, clocking in at over two hours, making it feel unnecessarily drawn out. Without the gripping psychological tension of its predecessor, the film struggles to find its footing, leaving it more of a likable show for musical theater than a coherent, compelling continuation of the story. Check out our list of exciting new films from this year’s 39th film festivals, including Venice, TIFF, the New York Film Festival and more.
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